Tuesday, 25 August 2026

REVIEW: StarWars - WOW! STUFF RealFX Star Wars Yoda Puppetronic



Review by Jon Donnis - in partnership with www.playwithtoys.co.uk 

There is something immediately impressive about the Yoda Puppetronic by RealFX. Standing at 44cm tall, this officially licensed 2026 Star Wars collectible makes a very good first impression. Put it on a shelf or a sideboard and it looks like a premium Yoda figure, rather than something that has been designed primarily as a toy.

Yoda himself looks great. The outfit is particularly good quality, and the overall appearance captures the familiar character surprisingly well. As a display piece, this is one of the best Yoda figures I have seen. It has presence, it attracts attention and it is the sort of thing that quickly becomes a conversation starter when someone spots it.


The voice effects are another major strength. With more than 120 sounds, there is plenty of Yoda dialogue to discover, and the voice is remarkably convincing. I cannot say whether the recordings are from the original actor or a particularly good impersonator, but either way, they are spot on. The only real problem is that they are rather quiet, and there is no volume control, so you have to accept the level provided.

I actually like leaving the voice function switched on while Yoda is sitting on the side. He will occasionally come out with one of his iconic lines, and there is something quite amusing about having Yoda unexpectedly start talking in the background. It adds a little personality to what works best as a static display piece.

It was also interesting to see how a baby reacted to him. Clearly, this is not a toy designed for babies, but curiosity got the better of me. Would Yoda be frightening? Initially there was a little uncertainty, but that soon turned into waving at him and attempts to talk to him through enthusiastic baby babbling. It was a surprisingly cute reaction and shows just how interesting the character is, to someone who has no knowledge of the StarWars universe.


However, the biggest problem with the Yoda Puppetronic is also the reason it exists. It is a puppetronic, not an animatronic.

That distinction matters.

There are no automated movements. Yoda does not independently turn his head, blink or move around. The only automated element is the voice, which can randomly play one of his lines if you leave the unit switched on. Anyone buying this expecting an animatronic Yoda that will spring into life by itself could therefore be disappointed.

Instead, you control the movements yourself.

In theory, this should be fun. In practice, it is awkward.

Everything feels very stiff, and quite a lot of effort is required to make the movements look natural. That becomes particularly noticeable if somebody else is watching you operate Yoda. Rather than giving the impression that Yoda is coming to life, there can be an obvious sense that somebody is physically manipulating a puppet.

The controls are housed in a compartment on Yoda's back, with a fairly substantial joystick providing the main control. Oddly, the arrangement feels as though it was designed with a left-handed user in mind, which seems like a strange choice for something intended for a mass market.


The Force pose is another example. Raising Yoda's arm is controlled by a very stiff switch inside the rear control compartment. It takes a surprisingly heavy hand to operate it, and the movement feels more mechanical than natural as the arm rises.

The stiffness is ultimately what undermines the experience. A puppet needs to feel enjoyable to operate. You should want to pick it up and perform with it. With Yoda, there is a certain amount of work involved in getting the movements to look convincing, and that makes it difficult to see myself repeatedly using him as a puppet.

There are also some less obvious annoyances.

Yoda arrives without his feet and cane attached, so these have to be fitted during unboxing. Thankfully, this is a one-time job, but the feet are surprisingly tricky to install and require a fair amount of force to push into place.

The battery compartment is also poorly positioned on the back and is almost impossible to get to comfortably. It is the sort of design decision that probably makes sense somewhere on a manufacturing diagram, but is frustrating when you actually need to replace the batteries.

Then there is the hair.

Yoda has no hair.

That may sound like a minor complaint, but it is surprisingly noticeable. The real Yoda has that distinctive wispy white hair, and its absence makes the figure feel less complete than it could have been. Considering how good the rest of the costume and sculpt look, it seems like a missed opportunity.

The other question is scale. The Yoda Puppetronic is 44cm tall, while the real Yoda himself is 66cm. That makes this approximately 2:3 scale. Given that the Puppetronic is already a substantial object, it is difficult not to wonder why RealFX did not make it full scale. It would have been bigger, certainly, but not so much bigger that the difference seems unreasonable.


Ultimately, the Yoda Puppetronic is a product that I like considerably more as a figure than I do as a puppet.

As something to put on the shelf or side, it is excellent. It looks fantastic, the costume is good quality, the voice effects are extremely convincing and the occasional random quotes give it just enough life to make it more than an ordinary static figure. Visitors notice it, and people who have seen it have commented on how good it looks.

As a puppet that you are supposed to control, play with, demonstrate to friends or use to make videos, it is much less convincing. The joystick is stiff, the arm control is stiff and the movements require enough effort that making Yoda look genuinely alive is difficult. It simply does not feel as much fun to operate as I had hoped.

That leaves a slightly awkward question for anyone considering spending £79.99.

Are you willing to pay nearly £80 for a really good-looking Yoda display piece that happens to have a puppet mechanism inside it? If you are a huge Yoda fan, enjoy puppetry, are prepared to put in the effort to learn the controls and perhaps happen to be left-handed, there may be enough here to make it worthwhile.

For me, though, the distinction is clear. As a figure, I really like it. As a puppet, I do not.

As a display figure: 9/10

As a puppet: 5/10

Overall, the Yoda Puppetronic is a great-looking Yoda that I am very happy to have on the side. I just wish it was more enjoyable to actually control.

You can Pre-Order from Amazon at https://link.amazon/B02nW5mMB

Thank you to WOW! STUFF for providing the Yoda Puppetronic for review.

PREVIEW: Crude Awakenings (2026 Film) - Starring Django Chan-Reeves


Preview by Jon Donnis

The oil industry has long provided fertile ground for stories about greed, corruption and the price of ambition, and Crude Awakenings looks set to take a sharply satirical approach to the subject.

Directed by Omri Dayan, this British drama follows ambitious PR strategist Ava Rice, played by Django Chan-Reeves, who lands a potentially career-changing position at a notorious energy conglomerate. The promise of wealth and professional success proves difficult to resist, but her new role soon forces her to confront the moral compromises that come with it.

Ava's world takes a disturbing turn when a mysterious sickness begins spreading throughout the firm. What initially appears to be the perfect opportunity begins to expose a much darker reality, leaving Ava caught between her ambitions, her conscience and concerns for her own health.

Chan-Reeves, known for The End of the F***ing World and Industry, leads a cast that also includes Gary Fannin and Doug Colling. Together, they inhabit a corporate world where appearances matter, ambition comes at a cost and doing the right thing may prove considerably harder than turning a blind eye.

With its combination of environmental concerns, corporate corruption and dark wit, Crude Awakenings looks to offer more than a straightforward warning about the oil industry. At its centre is a character faced with a deeply personal choice over just how much she is willing to sacrifice for success.

Crude Awakenings arrives on digital on 24 August from Reel2Reel Films.

Apple TV

Monday, 24 August 2026

PREVIEW: The Lonely Crowd (2026 Film) - A First Look at the New Romantic Crime Thriller


Preview by Jon Donnis

A bad first date takes a dangerous turn in The Lonely Crowd, a new romantic crime thriller that combines relationship drama with a rapidly escalating tale of violence, corruption and stolen money.

Written and directed by David St. Clair in his feature directorial debut, the film stars Adam Wesley as Peter and Taylor Anne Danehower as Ashley, whose attempt at an online date quickly goes wrong. What begins as an uncomfortable meeting fuelled by frustration and assumptions soon develops into something far more dangerous.


Set against a backdrop of dating fatigue, loneliness and growing mistrust between men and women, The Lonely Crowd explores the difficulties of forming genuine connections in an age of online dating. Peter and Ashley's date ends badly, with Ashley storming out after their encounter descends into an argument shaped by emotional defensiveness and gender assumptions.

However, their evening is far from over. Peter later finds Ashley being harassed outside and intervenes, an act that unexpectedly draws him into a dangerous situation involving corrupt police officers, a kidnapping and stolen money. From there, the story unfolds over three days as the characters become caught up in a whirlwind of crime, violence and romance.

“The Lonely Crowd’s foundation is personal, not procedural. Beneath the suspense lies a story about what happens when people see each other as stereotypes rather than individuals. Romance isn’t fantasy here; it’s forged in the clash of loneliness, pride, fear, and misunderstanding,” said St. Clair, writer/director.

“The film blends thriller pacing with romantic tension and character-driven storytelling that will appeal to audiences who enjoy emotional suspense. The themes resonate across generations, connecting with anyone who has struggled in relationships or in moving beyond first impressions,” adds St. Clair.

“Story comes first,” said St. Clair. “We wanted to make a film that moves with energy and suspense yet is grounded in something honest about how people struggle to connect with one another,” he added.

Alongside Wesley and Danehower, the cast includes Giancarlo Carmona, Jon Oshei, Haley Spencer, Blair Chambers and Andrew Mena.


The Lonely Crowd marks the first feature film from producer Jim St. Clair and co-producer David St. Clair under their Desario Productions banner. Behind the camera, the filmmaking team includes composer Kevin Morrison, cinematographer Garrett Stotko, editor Daniel Seigerman, casting director Bevin Hamilton, and production designers Emily Kiihnl and Paige McGhee.

Indie Rights acquired The Lonely Crowd for worldwide distribution, with the film debuting on Amazon for rent and purchase in May 2026. It is now also available on streaming platforms including YouTube, Tubi and Fawesome, with releases on other major streaming services expected to follow.

With its combination of online dating, relationship drama and a crime story that quickly spirals out of control, The Lonely Crowd looks set to offer a darker take on the modern search for connection.



Friday, 21 August 2026

COMPETITION: Win Billy Liar 4K Ultra HD & Blu-ray (Collector's Edition)


STUDIOCANAL has announced a brand-new 4K restoration of BAFTA and OSCAR-winning director, John Schlesinger's British New Wave classic, BILLY LIAR. Released on August 24th.

And to celebrate we have a copy to give away!

Synopsis:
Going nowhere fast, Billy Fisher (Tom Courtenay), an incorrigible fantasizer, dreams incessantly of escaping his drab existence and humdrum routine work as an undertakers' clerk in Yorkshire. Seeking refuge from his working-class family and not one but two demanding fiancées in the imaginary country called Ambrosia, Billy finds himself cut off from reality. As Billy's fabrications grow increasingly wilder and problems start piling up, happy-go-lucky Liz (Julie Christie) enters the young day-dreamer's life, offering a way out of his mess. However, new beginnings are always scary, and Billy must make up his mind: it's either a fresh start in London or an endless beautiful lie in Ambrosia.
 
Widely regarded as one of the most memorable and universally acclaimed films of the 60s, this new restoration is the perfect way to revisit some of the best work carried out by one of Britain’s most cherished directors in his centennial year. A welcome addition to STUDIOCANAL’s Vintage Classics label. 


The special 4K UHD collector’s Edition of the film will be released on August 24th. The 2-disc set features the film on both UHD and Blu-ray with brand-new extras, a 64-page booklet, poster of the new artwork by Sam Smith plus calendar and will be the first time the film is available to own in 4K. 
 
The World Premiere of the new restoration took place at Cinema Rediscovered in Bristol on July 26th.
 
The newly-restored BILLY LIAR will play at selected cinemas from July 31 and will also form a major highlight of the ongoing UK-wide centenary project, The Consummate Professional: John Schlesinger at 100.  Retrospectives of Schlesinger's films will feature as part of the regular Curzon Film Club strand across all Curzon cinema sites, culminating in screenings of BILLY LIAR in August.  For more information, visit schlesinger-100.webflow.io and curzon.com/film-club.


Enter now for a chance to win.

Who directs Billy Liar?

Send your name, address and of course the answer to competition365@outlook.com

Quick Terms and conditions - For full T&C click here
1. Closing date 24-08-26
2. No alternative prize is available
3. When the competition ends as indicated on this page, any and all entries received after this point will not count and emails blacklisted due to not checking this page first.
4. Winners will be chosen randomly and will be informed via email.
5. Entries that come directly from other websites will not be accepted.


Tuesday, 18 August 2026

REVIEW: Spider-Man: Brand New Day (2026 Film) - Starring Tom Holland


Review by Jon Donnis

After the disaster that was Supergirl, we needed a good superhero film, and Spider-Man: Brand New Day is just that. It is far from perfect, and low expectations have probably helped elevate it, but this is a surprisingly mature and heartfelt Spider-Man film that puts Peter Parker's emotional journey ahead of the wider MCU.


Tom Holland gives a soulful, emotionally strong performance as a Peter who has spent four years alone, protecting New York while the people he once loved have forgotten he exists. The film gives him meaningful development as he gradually realises that being Spider-Man does not mean shutting everyone else out. His loneliness could have been explored more deeply, but the relationship with MJ provides some of the film's strongest emotional material. Peter remembers everything they shared while she remembers nothing, creating a genuinely painful dynamic without resorting to an easy resolution.

Sadie Sink is a standout as Jean Grey. Rather than functioning as a generic Marvel antagonist, Jean is given understandable motivations rooted in grief and loss. Her connection with Peter eventually becomes one of the film's most affecting elements, while the story allows her to remain sympathetic without excusing her actions.


The film also benefits from a strong supporting cast. Jon Bernthal's Punisher is a likeable addition, while Florence Pugh's Yelena and Mark Ruffalo's Bruce Banner provide entertaining contributions. Unfortunately, there are simply too many characters and plotlines competing for attention. Peter can sometimes feel sidelined in his own film, while several supporting characters never receive enough development.

The action is consistently impressive, with strong set pieces supported by excellent practical effects, visual effects, cinematography and score. Importantly, the film avoids relying on endless CGI spectacle. The action has physical weight, although it lacks the invention of the Spider-Verse films and never approaches the heights of Spider-Man 2.


The biggest problem is the structure. The story feels clunkily episodic, and at 145 minutes it is unnecessarily long. Too much time is devoted to setting up future MCU material, weakening a film that works considerably better when it focuses on Peter and Jean. The final act also veers into a Stranger Things-style supernatural storyline that feels less distinctive than what came before.

In my opinion the film should have been more radical. The premise offered an opportunity for a genuine reboot, but Brand New Day still carries considerable MCU baggage. The post-credits scene does little to justify that baggage, serving primarily as another piece of franchise setup.

Despite those shortcomings, the film gets the important things right. It balances action, humour and emotion effectively, and its emotional stakes generally take priority over franchise building. The result is a Spider-Man film with genuine feeling rather than simply another superhero spectacle.


Superhero fatigue is undoubtedly a problem, but Spider-Man: Brand New Day proves there is still life in the genre when the characters are given something meaningful to lose. It is messy and overstuffed, but Holland and Sink provide the emotional foundation for a film that ultimately earns its place among the better recent Marvel releases.

Spider-Man: Brand New Day scores 8.5 out of 10.

Out in cinemas now!