PREVIEW: Invitation to a Murder (2024 Film) - Starring Mischa Barton

By Jon Donnis

Sharpen your detective instincts and prepare for a tantalizing new whodunnit as Invitation to a Murder is OUT NOW on UK digital platforms. Featuring an ensemble cast including Mischa Barton (The O.C., The Sixth Sense), Chris Browning (Westworld, The Last Rampage), Seamus Dever (Castle, Titans), and Bianca A. Santos (Stronghold, Ouija), this period thriller promises edge-of-your-seat suspense and intrigue.

Directed by Stephen Shimek and penned by Gérard Miller, Brian O'Donnell, and Jerome Reygner-Kalfon, Invitation to a Murder combines classic mystery elements with stunning cinematography to craft a spellbinding narrative. Set in the 1930s on a remote island estate in the South of England, the story begins with a mysterious billionaire inviting six strangers to his opulent home under enigmatic circumstances.

Among the guests is Miranda Green (played by Mischa Barton), an aspiring detective whose curiosity is piqued by the peculiar invitation. The gathering takes a sinister turn when one of the guests is found dead. As paranoia sets in and secrets unravel, Miranda must channel her sharp wit and detective instincts to uncover the killer among them before anyone else meets a grisly fate.

The film captures the golden-age charm of classic mysteries while infusing it with modern twists and an unpredictable storyline. Each character brings their own motives and mysteries to the table, keeping viewers guessing right until the end. With its atmospheric setting, intricate plotting, and standout performances, Invitation to a Murder delivers an unforgettable cinematic experience.

Perfect for a cozy holiday evening, this thrilling murder mystery offers an engaging blend of suspense, drama, and old-world elegance. Don't miss your chance to RSVP to the mystery – stream Invitation to a Murder on UK digital platforms OUT NOW.

COMPETITION: Win Oddity (A Shudder Original) on Blu-ray

Garnering praise galore on its premiere at South by Southwest Festival and following its recent bow on Shudder, Damian McCarthy’s unique, spine-tingling horror – Oddity – is now set for its physical and digital release thanks to Acorn Media International, to kick off your 2025 in terror.

And to celebrate, we have a great competition for you and a chance to win a copy on Blu-ray

Synopsis:

The truly original film has been described as ‘Scary, mysterious, upsetting and effecting’ by Nerdist, with Floating World commenting ‘The sense of unease McCarthy creates has no equal… his effective filmmaking – unnerving framing, sense of claustrophobia and timing really pays off’ and arrives on Blu-ray, DVD and digital on 6 January 2025.

We’re introduced to Dani (Carolyn Bracken – The Gone, The Quiet Girl), alone in a big, cold, dark house, that she and doctor husband Ted (Gwilym Lee – Bohemian Rhapsody, The Great) are renovating, while he’s working late at the local mental health hospital. A disturbed young man (Johnny French – Caveat) knocks on her door…  Dani is later found brutally murdered.

With one of Ted’s patients as the main suspect, the case seems clear cut, but when he also turns up dead, a terrifying sense of fear and confusion starts to creep in and we soon realise than anything and everything is not what it seems.

One year later with the case all but closed… Dani’s blind twin sister Darcy, a self-proclaimed psychic and collector of cursed items, pays an unexpected visit to the house, where Ted now lives with new girlfriend Yana (Caroline Menton – All Creatures Great and Small, Altar Boy).

Darcy is convinced she holds the key to her sister's murder and brings with her the most dangerous items from her cursed collection.  She is determined to prove who killed her sister whatever the cost and unleashes unimageable nightmarish vengeance.

This is one Oddity you’ll definitely want on your shelf.

Order from Amazon - amazon.co.uk/Oddity

Enter now for a chance to win.

Who directs Oddity?

Send your name, address and of course the answer to competition365@outlook.com

Quick Terms and conditions - For full T&C click here

1. Closing date 13-01-25

2. No alternative prize is available

3. When the competition ends as indicated on this page, any and all entries received after this point will not count and emails blacklisted due to not checking this page first.

4. Winners will be chosen randomly and will be informed via email.

5. Entries that come directly from other websites will not be accepted.

REVIEW: Panda Plan (2024 Film) - Starring Jackie Chan

Review By Jon Donnis

Jackie Chan's Panda Plan offers a delightful return to the action-comedy genre, showcasing his enduring charisma and physical prowess. In this film, Jackie portrays himself, attending the adoption ceremony of a rare baby panda. The event takes a dramatic turn when an international crime syndicate attempts to kidnap the cub, prompting Jackie to employ his renowned stunt skills to thwart the villains and safeguard the panda.

Despite advancing years, Jackie Chan's performance remains vibrant. His comedic timing is impeccable, and he executes action sequences with a finesse that belies his age. The film cleverly incorporates meta-humour, with Jackie playfully acknowledging his age and the physical challenges that come with it, even his big nose and "O walk" are acknowledged, adding a layer of self-awareness that fans will appreciate.

The narrative is engaging and maintains a light-hearted tone throughout. The plot is straightforward, allowing ample room for the action and comedy to shine. The dynamic between Jackie and his co-stars, including the bumbling yet endearing zoologist (Ce Shi) who becomes his reluctant sidekick, as well as Xiang Wei as David, Jackie's associate, adds depth to the story and provides numerous comedic moments.

However, the film is not without its flaws. The CGI used to animate the baby panda is inconsistent, with certain scenes where the digital effects are noticeably subpar. This can momentarily disrupt the viewer's immersion, though the overall charm of the film helps to mitigate this issue. Plus at times they convenient will place the bear a box or cage so they can do a scene without having to animate it.

A notable omission is the absence of the traditional blooper reel during the end credits, a hallmark of Jackie Chan's films that fans have come to anticipate. These outtakes offer a glimpse into the behind-the-scenes efforts and camaraderie during production, and their absence is felt. It is hoped that they will be included in the home entertainment release.

Panda Plan is a testament to Jackie Chan's enduring appeal and his ability to adapt his signature style to contemporary cinema. The film delivers a blend of action and comedy that is both nostalgic and refreshing. While it has its imperfections, the overall experience is enjoyable and heartwarming. As a long-time admirer of Jackie Chan's work, I would rate this film an 8.5 out of 10. It is a must-watch for fans and a delightful introduction for newcomers to his unique brand of entertainment.

In Selected Cinemas now.

REVIEW: Sonic the Hedgehog 3 (2024 Film) - Starring Jim Carrey, Ben Schwartz and Keanu Reeves

Review by Jon Donnis

"Sonic the Hedgehog 3" is a fun-filled action-adventure comedy that takes the beloved franchise to new heights, delivering an engaging and highly entertaining experience for fans and newcomers alike. Following the events of the previous films, Sonic, Tails, and Knuckles must band together to face a powerful new adversary, the mysterious Shadow. His overwhelming strength and complex motivations push the team to seek out an unexpected alliance in order to save the world.

The film opens with a gripping backstory, taking us to 1974, where Shadow is introduced as a weapon developed by the Guardian Units of Nations (G.U.N.). This origin tale, spanning decades, delves into Shadow's tragic past, which is integral to his thirst for vengeance in the present day. When he escapes a prison facility and begins wreaking havoc, Sonic, Tails, and Knuckles are tasked with stopping him, though they quickly realise their powers are no match for the new threat. The plot continues to evolve as the team uncovers hidden secrets and forms uneasy alliances, leading to a high-stakes final confrontation involving the devastating Eclipse Cannon. The stakes are high, and the emotional payoff is genuine, making it much more than just a typical action flick.

One of the standout features of the film is its visual spectacle. The action sequences are thrilling, with a series of explosive set-pieces that are expertly crafted and guaranteed to keep the audience on the edge of their seats. Whether it's the high-speed chases or the intense battles between Sonic and Shadow, the film delivers on every front when it comes to action. The animation, seamlessly blending with live-action elements, makes the world of Sonic feel alive and vibrant. The effects are polished, ensuring that the fantastical elements never seem out of place, and the fluid motion of the characters is a joy to watch.

The comedy, while geared towards a younger audience, is well executed. The quirky humour is consistent with the tone of the previous films, with numerous gags and light-hearted moments that will make both kids and adults laugh. Sonic's irreverent charm and Tails' nerdy optimism offer a perfect contrast to the more serious and brooding Shadow. Keanu Reeves, voicing Shadow, brings a unique gravitas to the character, while Jim Carrey rep

The emotional depth of the film is another strength. As Sonic and Shadow come to terms with their shared pain and losses, the story explores themes of redemptrises his role as the eccentric Dr. Robotnik. Carrey is as delightful as ever, stealing scenes with his manic energy and over-the-top antics. His performance continues to be one of the film's greatest assets, and it's clear that his portrayal of Robotnik has become iconic.

ion and forgiveness. Sonic's journey from a cocky hero to someone who learns the value of empathy is heartfelt and adds a layer of complexity that enriches the narrative. The dynamic between Sonic, Tails, and Knuckles has been well established, and their camaraderie provides a solid foundation for the film's emotional moments. The addition of Tom and Maddie, Sonic's adoptive parents, adds a sense of warmth, making the film feel more grounded amidst all the chaos.

However, the film does have its drawbacks. If you're not familiar with the previous two films or the Sonic video games, the plot can feel overwhelming. The film assumes a certain level of knowledge about the characters and their relationships, which may leave some viewers feeling lost, especially with the deeper backstory of Shadow. Fans of the games and those who have followed the series from the beginning will likely have a more fulfilling experience, while casual viewers may struggle to keep up with the lore.

Sonic the Hedgehog 3 is a rare sequel that manages to maintain the charm and excitement of its predecessors while adding new layers of emotional depth and intensity. The film delivers an action-packed adventure filled with memorable performances, stunning visuals, and an engaging story. The fact that this series has evolved so successfully, especially considering the early backlash over Sonic's original design, is a testament to the dedication of the filmmakers. Sonic fans have much to celebrate, as this third installment proves that the franchise is in good hands. For those who have followed Sonic's journey on the big screen, it's clear that "Sonic the Hedgehog 3" is a worthy addition to the series. I thoroughly enjoyed it and would score it a near-perfect 9.5 out of 10.

Out in cinemas NOW

REVIEW: Carry-On (2024 Film) - Starring Taron Egerton

Review by Jon Donnis

Carry-On," released on Netflix on December 13, 2024, is an exhilarating action thriller that knows exactly what it wants to be. Directed by Jaume Collet-Serra and written by T.J. Fixman, the film hooks viewers from the start with a gripping, high-stakes premise set in the bustling chaos of Los Angeles International Airport on Christmas Eve.

The story follows Ethan Kopek, a TSA officer played with intensity and authenticity by Taron Egerton. Ethan, who has struggled with personal failures and low ambition, finds himself thrust into a life-or-death situation when a mysterious mercenary called the Traveler, played by Jason Bateman, forces him to make an impossible choice. Egerton's performance captures Ethan's desperation and determination, making him a compelling protagonist whose journey feels grounded even as the plot becomes increasingly tense.

Jason Bateman shines as the Traveler, bringing a chilling blend of charm and menace to his role. His dynamic with Egerton adds a layer of psychological tension that keeps the audience guessing. Sofia Carson, as Ethan's pregnant girlfriend Nora, brings warmth and emotional stakes to the story, while Danielle Deadwyler, as the determined LAPD detective Elena Cole, adds a sharp and resourceful presence. Tonatiuh delivers a sympathetic performance as Mateo Flores, a man caught in a web of coercion, and Theo Rossi's Watcher is suitably sinister, keeping the threat level high throughout.

The film's pacing is relentless, expertly crafted to maintain suspense from start to finish. Collet-Serra makes excellent use of the airport setting, creating a claustrophobic atmosphere where every corner holds potential danger. The action sequences are polished and thrilling, with a particularly intense climax aboard a plane that keeps viewers on edge. The film's direction ensures that even in its quieter moments, the tension never truly lets up.

Admittedly, the plot requires some suspension of disbelief. There are moments when events feel a little too convenient or logic takes a backseat to adrenaline-fuelled action. However, these moments don't detract from the overall experience. The film leans into its identity as a fast-paced, crowd-pleasing thriller and never loses sight of its primary goal: to entertain.

"Carry-On" benefits from its simplicity. The straightforward story allows the focus to remain on the characters and their high-pressure decisions. The script balances sharp dialogue with moments of emotional resonance, giving the actors room to elevate the material. While comparisons to "Die Hard" are inevitable, this film carves out its own space as a solid holiday thriller.

It is not without its flaws. Some twists push the limits of believability, and there are points where you might roll your eyes at the sheer implausibility of it all. That said, the film doesn't ask you to take it too seriously. It is designed to be a gripping ride, and it succeeds in delivering just that.

In the end, "Carry-On" is an engaging, fast-moving thriller that makes for an entertaining watch during the festive season. While it may not be a classic, it more than holds its own as a fun and well-crafted action film. With strong performances, taut direction, and a story that keeps you hooked, it is an enjoyable addition to Netflix's line-up. For fans of edge-of-your-seat action, this one is well worth a watch. A solid 7 out of 10.

Out Now on Netflix.

REVIEW: Kraven the Hunter (2024 Film) Starring Aaron Taylor-Johnson

Review by Jon Donnis

Kraven the Hunter, directed by J. C. Chandor, is the latest addition to Sony's Spider-Man Universe, bringing one of Marvel's most enigmatic villains to the screen. Aaron Taylor-Johnson stars as Sergei Kravinoff, a hunter-turned-vigilante grappling with his fractured family and an animalistic transformation. The film attempts to walk a fine line between a faithful adaptation of the comics and a self-contained story but stumbles in its execution.

The plot centres on Sergei, whose childhood trauma and complicated relationship with his father, Nikolai (played with venomous charm by Russell Crowe), shape his journey. After an incident involving a lion leaves Sergei at death's door, he is saved by Calypso, a mysterious healer played by Ariana DeBose. Years later, Sergei, now "Kraven", takes on a vigilante role, targeting criminals while avoiding the shadow of his father's criminal empire. The narrative intertwines family betrayal, moral ambiguity, and action-packed set-pieces as Kraven confronts his estranged brother Dmitri (Fred Hechinger), the menacing Rhino (Alessandro Nivola), and the hypnotic Foreigner (Christopher Abbott).

Taylor-Johnson delivers a strong performance as Kraven, embodying the character's primal energy and moral conflict. His portrayal of Sergei as both a feral apex predator and a reluctant son brings a layered intensity to the role. Russell Crowe stands out as Nikolai, infusing the character with ruthless charisma and gravitas. Ariana DeBose as Calypso provides an emotional counterbalance to Kraven's turmoil, though her character feels underutilised, often reduced to a plot device rather than a fully fleshed-out figure.

The film's action sequences are fast-paced and visually striking, offering fans of comic book adaptations a decent dose of adrenaline. A buffalo stampede turned battle and Kraven's showdown with Rhino deliver some memorable moments. However, the visual effects, while serviceable in some scenes, suffer from a lack of polish, undermining the impact of pivotal confrontations. The rushed CGI work and choppy editing are particularly jarring in a few key moments, leaving an impression that the film's post-production was hurried.

Chandor's direction captures the grim, gritty atmosphere befitting Kraven's story, but the script's predictability limits its emotional depth. The dynamic between Sergei, Dmitri, and Nikolai, arguably the heart of the story, feels underdeveloped, with many revelations telegraphed long before they unfold. The Foreigner, though an intriguing adversary, receives minimal screen time, making his ultimate confrontation with Kraven feel anticlimactic.

For fans of the comics, Kraven the Hunter offers a reasonably faithful adaptation of the character. It honours Kraven's complex moral compass and primal intensity, which should please long-time enthusiasts. Unfortunately, the film's appeal may be limited for general audiences unfamiliar with the character, who may struggle to connect with its premise or invest in its world.

Sony's Spider-Man Universe has struggled to find its footing, and Kraven the Hunter does little to change the narrative. While it is a marked improvement over some of the studio's previous efforts, the film feels more like a stepping stone than a standalone triumph. Its disjointed storytelling and lack of a clear purpose prevent it from fully capitalising on the potential of its compelling lead.

Overall, Kraven the Hunter is a mixed bag. It offers flashes of brilliance, bolstered by committed performances and intense action, but is let down by uneven pacing and subpar visual effects. While not a failure, it lacks the cohesion and creativity needed to make a lasting impact. Fans of the source material will likely find it a satisfying, if flawed, adaptation, while casual viewers may find it forgettable. I'd give it a generous 7 out of 10.

Out Now in Cinemas and on Apple TV - https://apple.co/4fnALBs

LEGEND Kicks Off the New Year with Thrilling Premieres

By Jon Donnis

January is set to be an exciting month for fans of action, thrillers, and cult classics as LEGEND unveils a stellar lineup of eleven channel premieres. With a mix of iconic films, modern blockbusters, and gripping stories, viewers can look forward to a thrilling start to the New Year.

From Roy Ward Baker's LEGEND OF THE SEVEN GOLDEN VAMPIRES to Walter Hill's BULLET TO THE HEAD and the explosive British crime sequel WE STILL STEAL THE OLD WAY, the premieres promise something for every taste.

Fans of mercenary action can enjoy the classic THE WILD GEESE starring screen legends Richard Burton, Roger Moore, and Richard Harris. Meanwhile, sci-fi lovers will appreciate LOOPER, featuring Bruce Willis and Emily Blunt. Other highlights include the intense DEEPWATER HORIZON, the action-packed ESCAPE PLAN with Sylvester Stallone and Arnold Schwarzenegger, and crime thrillers like EMPIRE STATE and WANTED: DEAD OR ALIVE.

Adding to the excitement, cult TV series T.J. HOOKER, THE A-TEAM, and THE TWILIGHT ZONE continue their popular runs throughout the month.

Here's a full breakdown of what's in store, listed in transmission order:

Friday 3 January @ 23:05 – LEGEND OF THE SEVEN GOLDEN VAMPIRES (1974) Channel Premiere
Professor Van Helsing (Peter Cushing) teams up with seven kung fu-trained siblings to reclaim their village from a vampire horde and their undead army. This unique blend of horror and martial arts is co-directed by Roy Ward Baker and Hong Kong's Chang Cheh.

Saturday 4 January @ 21:00 – BULLET TO THE HEAD (2012) Channel Premiere
Sylvester Stallone stars as Jimmy Bobo, a New Orleans hit man who teams up with Detective Taylor Kwon (Sung Kang) to take down the killers of their partners. Also featuring Christian Slater.

Thursday 9 January @ 21:00 – THE WILD GEESE (1978) Channel Premiere
Aging mercenaries played by Richard Burton, Roger Moore, and Richard Harris take on one final mission to rescue a deposed African leader.

Saturday 11 January @ 21:00 – LOOPER (2012) Channel Premiere
In a future where the mob eliminates targets by sending them into the past, Joe (Joseph Gordon-Levitt) is tasked with killing his future self (Bruce Willis), leading to a battle for survival.

Thursday 16 January @ 21:00 – DEADLY TARGET (2015) Channel Premiere
After returning home to find his brother murdered, Special Operative James Webster (Michael Jai White) goes on a ruthless mission for vengeance.

Saturday 18 January @ 21:00 – EMPIRE STATE (2013) Channel Premiere
Based on a true story, Dwayne Johnson stars as an NYPD detective investigating the biggest cash heist in US history. Co-stars Liam Hemsworth and Michael Angarano.

Sunday 19 January @ 21:00 – DEEPWATER HORIZON (2016) Channel Premiere
This biographical disaster drama, starring Mark Wahlberg, tells the harrowing story of the 2010 Deepwater Horizon oil rig explosion and the heroes who risked everything.

Thursday 23 January @ 21:00 – WANTED: DEAD OR ALIVE (1987) Channel Premiere
Rutger Hauer stars as bounty hunter Nick Randall, who is hired by the CIA to capture a dangerous terrorist responsible for a Los Angeles cinema bombing.

Friday 24 January @ 22:55 – THE HITMAN'S APPRENTICE (2012) Channel Premiere
Young Adam (Jack O'Connell) gets pulled into a dark world of violence and revenge when he agrees to drive his mum's gangster boyfriend Peter for a day. Co-stars Tim Roth.

Saturday 25 January @ 21:00 – ESCAPE PLAN (2013) Channel Premiere
Security expert Ray Breslin (Sylvester Stallone) is imprisoned in a high-tech facility he designed and must escape with the help of fellow inmate Emil (Arnold Schwarzenegger).

Thursday 30 January @ 22:55 – WE STILL STEAL THE OLD WAY (2016) Channel Premiere
The Archer Gang returns in this follow-up to We Still Kill the Old Way. Caught mid-heist and thrown into a notorious prison, they face off against their old enemy, Slick Vic Farrow (Billy Murray). Also stars Ian Ogilvy, Lysette Anthony, and Julian Glover.

For action-packed nights and cult TV favourites, LEGEND on Sky 148, Virgin 149, Freeview 41, and Freesat 137 has you covered this January.

PREVIEW: Day of the Fight: A Powerful Tale of Redemption and Resilience

By Jon Donnis

The gripping and emotionally charged Day of the Fight is set to captivate audiences when it premieres on the Icon Film Channel on 3 February, followed by a UK cinema release on 7 March. Featuring an exceptional ensemble cast and helmed by a debut director with a seasoned understanding of the art, the film promises to be a masterclass in storytelling, exploring themes of redemption, resilience and the enduring human spirit.

Michael C. Pitt in ring - Day of the Fight

At its heart is "Irish Mike" Flannigan, a former middleweight champion whose glory days are long behind him. The narrative unfolds on the day of his return to the ring, a monumental event following his release from prison. What begins as a tale of athletic ambition quickly evolves into a poignant exploration of Flannigan's inner battles. The fight at Madison Square Garden is merely the backdrop for a larger and far more personal confrontation. Flannigan must reckon with his past, navigate fractured relationships and seek forgiveness, offering viewers an unflinching look at the fragility and strength of the human condition.

Michael C. Pitt delivers a commanding lead performance as Flannigan, embodying the boxer's struggles and determination with raw intensity. Pitt's portrayal is both haunting and uplifting, anchoring the film's emotional core. The cast is rounded out by the formidable talents of Nicolette Robinson, John Magaro, Steve Buscemi, Ron Perlman and Joe Pesci. Each actor brings a distinct depth to their roles, adding layers of complexity and nuance to the story. Pesci, in particular, delivers a performance that will undoubtedly linger in the minds of viewers, his presence a reminder of the calibre of artistry that this film boasts.

Michael C. Pitt and Ron Perlman - Day of the Fight

Jack Huston's first foray into directing establishes him as a filmmaker with a clear and confident voice. Known for his acting roles in Boardwalk Empire and House of Gucci, Huston demonstrates a remarkable ability to craft a narrative that balances grit with tenderness. Drawing from his own experiences in front of the camera, he creates an intimate portrait of a man teetering on the edge of despair and redemption. The result is a cinematic experience that is both visually striking and emotionally resonant.

Produced by the visionary team behind The Irishman and Joker, Day of the Fight carries the weight of a legacy that champions bold and innovative storytelling. The film's sophisticated execution and rich emotional texture have already garnered critical acclaim. Described as "intense, riveting and emotionally honest" by the San Francisco Chronicle and "wildly sophisticated" by The Upcoming, the film has positioned itself as a must-see for 2024.

As Flannigan's journey unfolds, viewers are reminded of the universal themes of struggle and hope, resilience and renewal. The story is not just about boxing but about the fight within us all, the battles we face when confronting our own failures and striving for redemption. With its UK debut fast approaching, Day of the Fight is set to leave an indelible mark on audiences, heralding a new era of storytelling for both Jack Huston and its powerhouse cast.

Day of the Fight premieres exclusively on the Icon Film Channel from 3 February
Releasing in UK cinemas from 7 March

REVIEW: Venom: The Last Dance (2024 Film) - Starring Tom Hardy

Review by Jon Donnis

"Venom: The Last Dance" is a heartfelt and fitting conclusion to the trilogy that began with Venom in 2018. Written and directed by Kelly Marcel, this final chapter balances chaotic charm with some surprising emotional depth. Tom Hardy is, once again, brilliant as both Eddie Brock and Venom. It's incredible how he brings two such distinct characters to life in a way that feels effortless. Their back-and-forth bickering, alongside their moments of genuine connection, remains the beating heart of the series.

The story picks up with Eddie and Venom on the run, trying to clear Eddie's name after being framed for a murder. This kicks off a wild journey that takes them from a dive bar in Mexico to Area 51, with plenty of madness in between. At the same time, a terrifying new foe, the Xenophage, is hunting them. This creature adds real tension to the plot, while tying the story into a larger Marvel mythology involving Knull, the ancient symbiote creator. It feels like the stakes have never been higher.

What makes the film so enjoyable is how it blends high-stakes action with offbeat humour. The dynamic between Eddie and Venom is as hilarious as ever. Whether they're arguing over survival tactics or finding themselves in absurd situations, the comedy lands perfectly. There's even a scene where Venom has a moment of unexpected joy on the dance floor, which is both bizarre and oddly touching. It's these moments that keep the film grounded in its quirky tone, even as the story grows darker and more complex.

The supporting cast does a great job too. Chiwetel Ejiofor brings gravitas to the role of Rex Strickland, a determined government operative, while Juno Temple adds depth and vulnerability as Dr Teddy Paine, a scientist haunted by her past. Rhys Ifans is a delightful addition as Martin Moon, a hippie who provides comic relief and a surprising amount of heart.

The action scenes are impressive without being overwhelming. From a gripping mid-air battle to the intense final showdown at Area 51, the sequences are creative and exciting. Marcel keeps things visually dynamic while making sure the emotional stakes stay front and centre. At its core, the story isn't just about explosions and aliens, but about loyalty, sacrifice, and the unlikely friendship between Eddie and Venom.

That said, the film does have a few rough edges. The plot can feel a bit overstuffed at times, with so many moving parts that it occasionally trips over itself. Some of the lore around Knull and the Codex might also feel a little convoluted, especially for viewers who aren't familiar with the comics.

Even with these minor issues, Venom: The Last Dance is a fantastic ride. It's a bittersweet farewell to a series that has always defied expectations by being funny, strange, and surprisingly heartfelt. The ending is especially emotional, tying things up in a way that feels satisfying while leaving the door open for potential new stories in the wider Marvel universe.

Overall, the film is entertaining, funny, and packed with heart. Tom Hardy gives one of his best performances yet, and Kelly Marcel nails the mix of humour and action that makes this series so unique. I'd give it a solid 8.5 out of 10. It makes me want to revisit the first two films all over again, even though I'm sad this is the end of the road for Eddie and Venom.

Out Now in cinemas and on Digital

Apple TV - https://apple.co/41uSzqQ