Review by Jon Donnis
Greenland 2 Migration picks up five years after the Clarke comet ended the world, and it wastes little time reminding you how fragile what remains of humanity really is. Ric Roman Waugh returns to direct, and the tone is immediately familiar. This is not a film obsessed with scale for its own sake. It is far more interested in how people endure, what they cling to, and what they are willing to lose to protect those closest to them.
The story follows the Garrity family as survivors in an underground Greenland bunker, now living with the consequences of a planet locked into violent tectonic shifts, electromagnetic storms and radioactive fallout. When their refuge collapses and a tsunami wipes out most of the remaining community, the film pivots into a grim migration across a shattered Europe. Liverpool, London, Dover, Calais and finally the ruins near the Clarke impact site form a bleak road movie through a continent barely holding together. The journey structure is familiar, and at times the script does lean into expected beats, but the emotional throughline keeps it grounded.
Gerard Butler and Morena Baccarin carry the film with believable, restrained performances. Butler's John Garrity feels worn down by years of survival and quiet sacrifice, while Baccarin's Allison has grown into a leader shaped by loss rather than bravado. Their chemistry sells the idea of a family that has endured the unendurable. Roman Griffin Davis steps into the role of Nathan with confidence, and the character's desire to prove himself adds tension without tipping into melodrama. Amber Rose Revah's Dr Amina brings warmth and intelligence to the early part of the journey, making her fate hit harder than expected.
Where the film really succeeds is in its set pieces. The destruction of the Greenland facility, the chaos in Liverpool, and the military front lines near the crater are sharply staged and often genuinely tense. The effects work is mostly solid, especially when depicting environmental instability rather than outright explosions. A few CGI moments feel rushed and slightly undercooked, but they rarely derail the momentum. Waugh also hints at a developing world order, with militarised safe zones and whispered rumours on survivor networks, which gives the setting a sense of history rather than randomness.
Emotionally, the film earns its ending. The idea that the impact crater itself has become a place of healing, free from ash and storms, is handled with sincerity rather than spectacle. John's final moments are simple and effective, focused on protection and legacy rather than grand speeches. It is a quietly hopeful note in a genre that often mistakes nihilism for realism.
At just over 90 minutes, Greenland 2 Migration is tightly edited and refreshingly lean. There is very little wasted time, and the pacing keeps the stakes high without exhausting the audience. While the narrative can feel formulaic in places, and a handful of effects shots could have used more polish, the film's heart is in the right place.
Greenland 2 Migration turns out to be a surprisingly strong sequel to a film many people had half forgotten. Strong lead performances, well judged action, and a focus on moral integrity over empty spectacle push it comfortably over the line. I enjoyed it and would give Greenland 2 Migration a solid 7.5 out of 10.
Out Now in Cinemas
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